Join Esotouric, L.A.'s most eclectic sightseeing tour company, for an immersive cultural history webinar that admits things are pretty screwed up in Los Angeles—but refuses to accept that it has to be that way.
Our guests for this program are some of the Southland’s most passionate, informed and dedicated citizen-activists and historians, who look at old buildings and see a fresh canvas where Angelenos can live, work, create, feast and connect. From San Pedro to Hollywood, Watts to Downtown L.A., Boyle Heights to Pico-Union, The Fairfax District to Los Feliz, you’ll learn about fascinating landmarks that are taking on a new life, and some of the threats and challenges their champions are fending off in an effort to preserve the places that matter most to Angelenos.
City Hall has completely failed to deal with land use problems big and small, from metal thieves snatching bronze lamps off the historic Glendale Hyperion bridge to a tenant illegally gutting the landmark Pig ’N Whistle restaurant, to a housing crisis exacerbated by real estate investment trusts that evict renters and take rent stabilized units off the market in return for illegal Airbnb listings and vast swaths of blighted, boarded up buildings. If Los Angeles is going to be saved, it will be done building by building at a neighborhood level, by Angelenos who care and know how to get things done. In such a challenging time for the city, the stories of people who are stepping up to save the places they love are what we all need to hear. Tune in to find out what’s happening, how you can get involved, and how to launch this kind of campaign in your own community.
Our special guests are:
ABOUT OUR GUESTS:
RITA COFIELD received her BA in Architecture and Planning from Howard University and has recently received a Masters in Heritage Conservation from the University of Southern California. She freelances as a cultural resource manager and Public Historian with valuable experience in community-based projects. She is passionate about finding ways to re-insert multiple perspectives into the larger narratives of our history. She enjoys activities and projects that foster innovation when it comes to caring for historic resources in underserved neighborhoods. She also feels a moral responsibility to expose the youth in her community of Watts to preservation education, hands-on training in building conservation, and its rich history as a means to community engagement and pride. (Visit https://www.friendsatmafundi.org/ for more info)
EDWARD LANDLER received a B. A. in Literature and Film under the supervision of film historian Jay Leyda at Yale University. He got his practical film training with Satyajit Ray in India, Luis Bunuel in France, and work on independent feature films in the United States. His first film, "Pharaoh's Dream", an experimental short, was shot in Calcutta and Los Angeles. “I Build The Tower” (2006) the feature-length documentary film about Simon Rodia and the Watts Towers of Los Angeles was produced with Simon Rodia's nephew, Brad Byer. Ed has been an advocate and artist working in Watts for the past 40 years. (Visit Ed’s website https://www.ibuildthetower.com)
EMMA RAULT is a writer and a translator from Dutch and German. Her essays about place and belonging have appeared in Guernica, New York Magazine, the LA Review of Books and elsewhere. In San Pedro, she serves on the Central San Pedro Neighborhood Council, works with feral cats and crews a sailboat. As a transplant from halfway across the world, she is endlessly fascinated with LA’s singular history, and in constant pursuit of its pockets of beauty, quiet and kinship. (Visit https://www.savewalkerscafe.com/ to learn more and get involved)
Miki Jackson is a gay and lesbian rights activist. In 1990, she and fellow activist Morris Kight founded Aunt Bee’s, a free laundry service for people suffering from AIDS. The Santa Monica Boulevard thrift store attached to Aunt Bee’s helped cover expenses for the laundry service, and was the inspiration for AIDS Healthcare Foundation’s chain of Out Of The Closet thrift stores. Today, Miki is a consultant for the AIDS Healthcare Foundation, advocating on policy issues including affordable housing.
JAMES DASTOLI is originally from Stamford, CT, and arrived in Los Angeles in 2007 to pursue a career as a visual effects artist. As a virtual production art director, he studies plans and pattern books to build accurate digital models of historic buildings for film and VR. Renting in Los Feliz and Miracle Mile gave him a deep appreciation of period revival styles, and led to years of research on original wood and metal windows. After seeing vinyl window replacements destroying neighborhood character all over the city, he connected with other preservationists to try to fight it. (Follow James at https://twitter.com/WindowsReplaced/)
STEVEN LUFTMAN born in Hollywood, Steve gained a lifelong appreciation for art and architecture in the mid-century cultural institutions of Los Angeles: at five he opened a savings account at Lytton Savings on the Sunset Strip, he took art classes at the then brand-new William Pereira-designed L.A. County Art Museum, took in movies at the Cinerama Dome, and with his mother and sister experienced L.A. Philharmonic rehearsals at the Dorothy Chandler Pavilion. After graduating from the Craig Ellwood/James Tyler-designed campus of Art Center College of Design, he moved to New York City to work in advertising. Returning to Los Angeles in 1997, Steve used the seminal Gebhard & Winter's "An Architectural Guidebook to Los Angeles" in his search to find the perfect apartment. With some luck, Steve and his partner Karen found themselves in what would become the Mendel and Mabel Meyer Courtyard Apartments—LA Historical-Cultural Monument #1096. While always a preservationist and a social activist at heart, it wasn't until his beloved home of eighteen years was threatened with demolition in 2015 that he wrote his first Historic-Cultural Monument application. To date, Steve has written or co-written ten HCM applications, and has been an active participant in trying to save fifteen historically significant buildings. He also campaigns for affordable housing and is active in the tenant rights movement, and can regularly be found in at City Hall supporting the preservation efforts of others. Steve longs for the day when greedy developers take a break from trying to destroy the historic buildings and neighborhoods of Los Angeles so he can take enough time off to enjoy his other passion, racing his 1978 Crossle Formula Ford. (Follow Steve’s latest campaign to landmark the Fairfax Theatre at https://artdecola.org/fairfax-theatre-2021.)
NATHAN MARSAK says: “I came to praise Los Angeles, not to bury her. And yet developers, City Hall and social reformers work in concert to effect wholesale demolition, removing the human scale of my town, tossing its charm into a landfill. The least I can do is memorialize in real time those places worth noting, as they slide inexorably into memory. In college I studied under Banham. I learned to love Los Angeles via Reyner’s teachings (and came to abjure Mike Davis and his lurid, fanciful, laughably-researched assertions). In grad school I focused on visionary urbanism and technological utopianism—so while some may find the premise of preserving communities so much ill-considered reactionary twaddle, at least I have a background in the other side.
Anyway, I moved to Los Angeles, and began to document. I drove about shooting neon signs. I put endless miles across the Plains of Id on the old Packard as part of the 1947project; when Kim Cooper blogged about some bad lunch meat in Compton, I drove down to there to check on the scene of the crime (never via freeway—you can’t really learn Los Angeles unless you study her from the surface streets). But in short order one landmark after another disappeared. Few demolitions are as contentious or high profile as the Ambassador or Parker Center; rather, it is all the little houses and commercial buildings the social engineers are desperate to destroy in the name of the Greater Good. The fabric of our city is woven together by communities and neighborhoods who no longer have a say in their zoning or planning so it’s important to shine a light on these vanishing treasures, now, before the remarkable character of our city is wiped away like a stain from a countertop. (But Nathan, you say, it’s just this one house—no, it isn’t. Principiis obsta, finem respice.) And who knows, one might even be saved. Excelsior!""
Nathan's blogs are: Bunker Hill Los Angeles, RIP Los Angeles & On Bunker Hill.
DAVID SILVAS’ family has a long lineage in Boyle Heights, as it was the first Los Angeles community his family moved to at the turn of the century from when they arrived from Hungary and Romania and were involved with financing the Weber and Spaulding designed International Institute on Boyle Avenue, an important community space that was a stepping stone for immigrants. His passion for historic preservation and architectural properties is matched by few. From Victorian, to American Craftsman, to Hollywood Regency and Mid Century Modern, his admiration for period design in Los Angeles is a driving inspiration in his business as his real estate practice, Engel & Völkers Beverly Hills focuses solely on Architectural and Historic real estate throughout Southern California and has made him one of the most preeminent agents specializing in historic and architectural properties. Concerned about the future of this vibrant and historic community, David has been a vocal advocate for adaptive reuse of current buildings, extensive landmarking and preservation for heritage sites, and advocating harmonious-small scale development that is sensitive to the already established neighborhoods. Community engagement and education is a passion of his, as this is key in preserving this historic treasure. David holds an MBA from the University of Toledo and is a published author. Organizational memberships include: The Los Angeles Conservancy, Docomomo, The California Preservation Foundation, and The Southern California Paul R. Williams Society. He is Vice President of both the Boyle Heights Neighborhood Council and Boyle Heights Community Partners.
GORDON PATTISON is a native son of Bunker Hill. His family owned the Salt Box and the Castle, the last two homes standing after the neighborhood was cleared for redevelopment. To learn more, see Gordon's LAVA Sunday Salon presentation Old Bunker Hill: One Family's Perspective. Gordon can also be found talking about Angels Flight Railway on Off-Ramp, visiting the few remaining pieces of his family's houses at Heritage Square Museum, on KCET's Lost L.A. series Lost Hills episode, L.A. As Subject's funicular feature and remembering novelist John Fante at his square dedication and atop Bunker Hill. He can also be found on Esotouric's The Lowdown on Downtown tours, sharing memories of lost Bunker Hill.
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About Esotouric: As undergraduates at UC Santa Cruz, Kim Cooper and Richard Schave inexplicably hated one another on sight. (Perhaps less inexplicably, their academic advisor believed they were soul mates). A chance meeting 18 years later proved much more agreeable. Richard wooed Kim with high level library database access, with which she launched the 1947project true crime blog, highlighting a crime a day from the year of The Black Dahlia and Bugsy Siegel slayings. The popular blog’s readers demanded a tour, and then another. The tour was magical, a hothouse inspiring new ways for the by-then-newlyweds to tell the story of Los Angeles. Esotouric was born in 2007 with a calendar packed with true crime, literary, architecture and rock and roll tours. Ever since, it has provided a platform for promoting historic preservation issues (like the Save the 76 Ball campaign and the landmarking of Charles Bukowski’s bungalow), building a community of urban explorers (including dozens of free talks and tours under the umbrella of LAVA) and digging even deeper into the secret heart of the city they love.
Rights and permissions: By attending an Esotouric webinar, you acknowledge that the entirety of the presentation is copyrighted, and no portion of the video or text may be reproduced in any fashion.
After his undergraduate studies in art history at UC Santa Cruz, Richard Schave set out to explore the American interior as an itinerant brick mason. His return to his native Los Angeles coincided with a renewed acquaintance with Kim Cooper, a once-detested academic colleague who would become his bride. Together, fusing scholarly research with new digital tools, they launched the 1947project time travel blog, along with In SRO Land, and On Bunker Hill, as well as the Esotouric tour company. With the success of Kim’s True Crime tours, Richard developed a series of Literary and California Culture excursions. Richard is a dedicated preservationist, and the host of the LAVA Sunday Salon and the LAVA Literary Salon series, named Best L.A. Literary Salon by Los Angeles Magazine. He also curates an ongoing series of forensic science programs at Cal State Los Angeles. Richard is also a reader at the Huntington Library.
Kim Cooper (“one of L.A.’s brightest torchbearers” – Electric Literature) is the creator of 1947project, the crime-a-day time travel blog that spawned Esotouric’s popular crime bus tours, including Pasadena Confidential, the Real Black Dahlia and Weird West Adams. She is the author of The Kept Girl, the acclaimed historical mystery starring the young Raymond Chandler and the real-life Philip Marlowe, and of The Raymond Chandler Map of Los Angeles. Her collaborative L.A. history blogs include On Bunker Hill and In SRO Land. With husband Richard Schave, Kim curates the Salons of LAVA – The Los Angeles Visionaries Association. When the third generation Angeleno isn’t combing old newspapers for forgotten scandals, she is a passionate advocate for historic preservation of signage, vernacular architecture and writer’s homes. Kim was for many years the editrix of Scram, a journal of unpopular culture. Her books include Fall in Love For Life, Bubblegum Music is the Naked Truth, Lost in the Grooves and an oral history of Neutral Milk Hotel.
Miki Jackson is a gay and lesbian rights activist. In 1990, she and fellow activist Morris Kight founded Aunt Bee’s, a free laundry service for people suffering from AIDS. The Santa Monica Boulevard thrift store attached to Aunt Bee’s helped cover expenses for the laundry service, and was the inspiration for AIDS Healthcare Foundation’s chain of Out Of The Closet thrift stores. Today, Miki is a consultant for the AIDS Healthcare Foundation, advocating on policy issues including affordable housing.
EMMA RAULT is a writer and a translator from Dutch and German. Her essays about place and belonging have appeared in Guernica, New York Magazine, the LA Review of Books and elsewhere. In San Pedro, she serves on the Central San Pedro Neighborhood Council, works with feral cats and crews a sailboat. As a transplant from halfway across the world, she is endlessly fascinated with LA’s singular history, and in constant pursuit of its pockets of beauty, quiet and kinship. (Visit https://www.savewalkerscafe.com/ to learn more and get involved)
I came to praise Los Angeles, not to bury her. And yet developers, City Hall and social reformers work in concert to effect wholesale demolition, removing the human scale of my town, tossing its charm into a landfill. The least I can do is memorialize in real time those places worth noting, as they slide inexorably into memory.
In college I studied under Banham. I learned to love Los Angeles via Reyner’s teachings (and came to abjure Mike Davis and his lurid, fanciful, laughably-researched assertions). In grad school I focused on visionary urbanism and technological utopianism—so while some may find the premise of preserving communities so much ill-considered reactionary twaddle, at least I have a background in the other side.
Anyway, I moved to Los Angeles, and began to document. I drove about shooting neon signs. I put endless miles across the Plains of Id on the old Packard as part of the 1947project; when Kim Cooper blogged about some bad lunch meat in Compton, I drove down to there to check on the scene of the crime (never via freeway—you can’t really learn Los Angeles unless you study her from the surface streets).
But in short order one landmark after another disappeared. Few demolitions are as contentious or high profile as the Ambassador or Parker Center; rather, it is all the little houses and commercial buildings the social engineers are desperate to destroy in the name of the Greater Good. The fabric of our city is woven together by communities and neighborhoods who no longer have a say in their zoning or planning so it’s important to shine a light on these vanishing treasures, now, before the remarkable character of our city is wiped away like a stain from a countertop. (But Nathan, you say, it’s just this one house—no, it isn’t. Principiis obsta, finem respice.)
And who knows, one might even be saved. Excelsior!