Carla Gannis
Artist
An American transmedia artist based in Brooklyn, New York.
Gannis produces works that consider the uncanny complications between grounded and virtual reality, nature and artifice, science and science fiction in contemporary culture. Fascinated by digital semiotics, Gannis takes a horror vacui approach to her artistic practice, culling inspiration from networked communication, art and literary history, emerging technologies and speculative design. Her work combines digital imagery with well-known works of art such as paintings by Pieter Bruegel the Elder. She received widespread attention in 2013 for her emoji version of Hieronymus Bosch’s painting The Garden of Earthly Delights.
Gannis is the recipient of several awards, including a 2005 New York Foundation for the Arts (NYFA) Grant in Computer Arts, an Emerge 7 Fellowship from the Aljira Art Center, and a Chashama AREA Visual Arts Studio Award in New York, NY. Her work has appeared in exhibitions, screenings and internet projects across the globe. Recent projects include “Portraits in Landscape,” Midnight Moment, Times Square Arts, NY and “Sunrise/Sunset,” Whitney Museum of American Art, Artport. Publications who have featured her work include The Creators Project, Wired, FastCo, Hyperallergic, The Wall Street Journal, The New York Times, El PaÍs and The LA Times, among others. In 2015 her speculative fiction was included in DEVOURING THE GREEN:: fear of a human planet: a cyborg / eco poetry anthology, published by Jaded Ibis Press.
Gannis have been releasing NFTs on Hic et Nunc, the Tezos NFT marketplace. She was also part of Feral Files’ NFT Exhibition ‘The Bardo: Unpacking the Real’ curated by Julie Walsh and Transfer’s gallery ‘Pieces of Me’ presented online and made available as NFTs on left.Gallery.
Gannis holds a BFA and MFA in Painting from the University of North Carolina at Greensboro and Boston University, respectively. Currently, she is an Industry Professor at New York University (NYU) in the Integrated Design and Media Program, Department of Technology, Culture and Society, Tandon School of Engineering.